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Case Study: Observation B  Provocation In a preschool room for children aged 3–5 years, the educator initially asked children to paint pre-cut butterfly shapes to teach symmetry. Instructions were fixed: paint one half and fold it to make a

Case Study: Observation B 

Provocation

In a preschool room for children aged 3–5 years, the educator initially asked children to paint pre-cut butterfly shapes to teach symmetry. Instructions were fixed: paint one half and fold it to make a mirror image.

  • Several children lost interest one said, “I don’t want to,” and another seemed unsure how to fold.
  • The task was too closed-ended and focused on the product rather than the process.
  • Children had little opportunity to make choices, explore, or express understanding.

According to Boyd, Cutcher, and Deans (2019), young children make meaning through open-ended, process-based exploration, not by reproducing an adult’s model.

Group’s reimagined approach:

  • Support authentic learning of symmetry through music, movement, and collaborative art.
  • Create a multisensory, playful, and creative process rather than a folded outcome.

Resources

  • Music for introduction activity: Ball Park Music: Oomba Baroomba (ABC iView)
  • Music and video for main activity: Singing Baby Animals To Sleep | Tjitji Lullaby | ABC Kids
  • Musical instruments: Rhythm sticks, small drums, different coloured scarves
  • Art materials: A3 paper, paints, pencils

Planning Experience

Inquiry Name: Mirror and Movement Game

Introduction Activity

  1. Educator starts with interactive mirror game:
    • Question: “Can you move like me?”
    • Background rhythmic music is played while educator demonstrates small dance moves.
  2. Responses to children:
    • If reluctant: “Sometimes it’s nice to just listen. Thank you for listening.”
    • Encourage matching movements: “Wow, you are dancing like me! We are the same.”
    • Encourage unique movements: “That looks great. Can we copy you?”
  3. Invite a child to create a simple clapping or tapping beat and ask others:
    • “Can you move like your friend?”
    • Questions to stimulate creativity:
      • “What happens when the music gets faster?”
      • “Can your hands make the same sound together?”

Main Activity

  • Introduce rhythm sticks, small drums, scarves from a box.
  • Children explore instruments while music plays.
  • Educator models instrument use and encourages copying and individual creativity.

Art and Symmetry Exploration

  • Use photographs of symmetrical objects (butterflies, shells, flowers) cut in half.
  • Encourage children to reconstruct whole images.
  • Discuss symmetry in both sound and shape.

Cultural Learning: First Nations Music

  • Watch Tjitji Lullaby video (native baby animals, First Nations art).
  • Encourage movement and sensory engagement: sway side to side.
  • Questions for cultural responsiveness:
    • “Can you say Tjitji?”
    • “Did you know Tjitji means child?”
    • Discuss origin and connection to Anangu Pitjantjatjara Yankunytjatjara lands.
    • Reflect on emotions and animals in the video.

Differentiation

  • Children with mobility, learning, or sensory needs: provide tailored support and adapted resources.
  • Younger or less confident children: slower music, simple clapping, one-on-one guidance.
  • Older or more confident children: lead rhythm or create musical patterns.
  • Goal: Flexibility and inclusion so all children participate meaningfully.

Curriculum Outcomes

Outcome 4 – Confident and Involved Learners

  • Children collaborate, explore, and find solutions through musical and visual arts experiences.

Outcome 5 – Effective Communicators

  • Express feelings and ideas through creative languages such as rhythm, imagery, and movement.

Rationale

  • Focuses on curiosity and creativity in rhythms and patterns.
  • Demonstrates that arts and creativity are universal concepts across cultures.
  • Aligns with Dinham & Chalk (2022): authentic arts education is participatory, expressive, and child-centred.
  • Children experience symmetry through sound and motion, not replication.
  • Supports artistic and emotional wellbeing, connecting sensory and emotional understanding.
  • Encourages reflection and meaningful discussion to develop creative and critical thinking.
  • Promotes cultural responsiveness and inclusivity, highlighting Aboriginal and Torres Strait Islander music, storytelling, and dance.
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